London Road the musical is written based on a real-life event of a serial killer in London Road near Ipswich. The musical is written in the verbatim style – a style of writing where the musical is constructed using the text exactly as recorded in documentaries and interviews. The ‘music’ and lyrics is dictated and mimicked mainly by the rhythm, pace and pitch of the spoken words.
London was a project launched by the National Theatre initially, however, after receiving many positive reviews, the show was taken on a national tour and later in 2015, reworked for a film adaptation which was recently broadcasted on BBC iplayer.
London Road – written by Alecky Blythe (book and lyrics) and Adam Cork (music and Continue reading
Tyler Hanes is a Broadway performer. Over the years he has worked on numerous productions. Take a look at this video as Tyler talks through his experience and memories of the show, as well as giving you a little snapshot of his dancing skills 🙂
TED Talks are one of my favourite channels to listen on. They have multiple topics, and whether it’s a lecture or video, they are always informative, educational and inspiring.
I came across this video about practice recently and I wanted to share with all of you. As performers, we are constantly confronted with the act of practice; in fact, you probably spend more time practising than be in lessons. Knowing how to practice is vital as they way you practice will shape your craft. Your teacher can help you refine your craft, but they cannot do it for you. It is YOU who decides upon the quality and quantity of practice, which will have a direct impact on the performance.
As mentioned in the video, it takes years of practice to master a skill, therefore, knowing and learning the most efficient way to practice will maximise your development – Continue reading
Wow! What a set of advice. I must have listened to this video a dozen times!
Musical theatre as we all know is a mixture of singing, dancing and ACTING! A lot of time we forget we are telling a story and embracing a different character because we are so focused on the singing and dancing when really, the reason you are singing and dancing is because the moment/character demands it. Go out and experience, see, study and observe the world. The more knowledge you have of the world and as a person, the more flavour and layers you will be able to bring to whatever role you are working on.
I often remind my students, acting is not the last thing you do or add to the character, but it should be the first. Before you even attempt to work on the song, you should have a good knowledge of what, where and why you are singing, because this will not just inform the choices you make, but the way you deliver the song/role as well. Of course, when you are in a show, the director, musical director and choreographer will help you refine those Continue reading
Those of you who are my students will hear me say this, one of the main things I constantly say is “everything is about PROCESS!” As soon as we start looking/working for results, then you haven’t learnt and chances are, you will get it wrong, and that’s when you become unreliable as a performer.
Joyce Didonato, one of my favourite opera singers, has once again made a very important point. Although this is an opera masterclass, the main principle remains the same in all art form.
The aria performed here is Donde Lieta from Puccini’s La Boheme. Puccini’s arias are Continue reading
For this week, we have Ed Sheeran to motivate us! Although Ed in this video focuses on embarking a career as a musician, there are many principles I feel we can take and apply that to the field of Musical Theatre.
I remember hearing the theory of 10,000 hours rules – scientists believe that in order to be master any skillset, on average, you need to spend around 10,000 hours of practice. Of course, Ed Sheeran in this video refers to song-writing and getting his songs out to the Continue reading
Honeymoon In Vegas is Jason Robert Brown’s latest musical. It first appeared as a film in 1992 following the same name.
“Mild-mannered Brooklynite, Jack, promised his dying mother that he would never get married, but that was before he met his sweet and beautiful girlfriend, Betsy. Haunted by a fear of Mom’s retribution, Jack avoids proposing but, when he finally summons the nerve to whisk oh-so-patient Betsy off to Las Vegas to get hitched, a dashing gambler named Tommy threatens to sweep his fiancée away to a life of luxury in Hawaii. Realising what he’s about to lose, Jack is determined to do anything to give his love story a happy ending. It all adds up to an action-packed honeymoon that no one will ever forget!” (MTI)
The music follows the older/golden-age classic big band style. I’ve included the soundtrack below, however, if you prefer to purchase the album, you can buy the album from iTunes here or listen to it on Spotify here.